In reply to the article by Anthony R. Edwards: "Wood works: Some older amputees resist switch to newer prosthetic materials" ; O&P, February 1998
During the XXth century, the choice of materials for the fabrication of prostheses has been governed by several criteria:
Density
Resistance
Plasticity
Ease of application
Price, in certain cases
Mode, strongly influenced by dealers in materials.
Having regard to these criteria and the varieties of materials available,
prosthetic practitioners have opted for aluminium, leather, wood, etc.
Wood has gradually lost ground on account of the obsession with the
new materials, and because of the loss of know-how brought about by the
plastics mode. Today the criteria governing choice are still the same but
the range of available materials has increased appreciably and the possibilities
for blending are infinite.
It is clear that the case for prosthesis consisting entirely of wood
can no longer be argued in the light of the current criteria for cosmetics,
mode and functionality.
It is the duty of the prosthetic practitioner to make optimum use of
the properties of every material.
We no longer construct all-wood prostheses but a socket of acrylic
laminated wood fitted on to a knee in composite equipped with a hydraulic
system with a foot of carbon, the whole cushioned by various foam materials.
To make above knee sockets, whatever the material used, the prosthetic
technician must not only be a worker good with his hands for carving and
modelling but also have a very sound grasp of volumes and forms. A socket
is defined in terms of its form and its volumes. Thus the construction
material delimits the space created by the prosthetic technician. It is
only the prosthetic technician's professional knowledge which determines
the correctness of this space.
On the other hand, the properties of the material used may increase
or diminish the "comfortable prosthesis" feeling in the amputee, e.g.,
by exacerbating or attenuating the variations in
temperature. With us, wood always has a preponderant place in the fabrication
of above knee sockets, for the following reasons in particular:
We prefer to work on the actual object (the
socket) rather than on its negative image (positive plaster of the stump).
In the first fitting, corrections of depth,
volume and form are easy to make while maintaining an acceptable aspect
for a definitive socket.
When it comes to performing the final adjustments
to a finished socket, the thickness of the medial border enables modifications
to be effected which aredifficult to make on a plastic socket, just as
are modifications of volume.
|
Example of a socket deepened by the affixing of a washer, tightened by a saw kerf and corrected by the insertion of additional pieces of wood. |
The use of wood is incorporated in the fabrication process, not out
of conservatism or any ecological preoccupations but because its mechanical
qualities and application make it a material of choice on a par with titanium
or composites.
While working with wood used to be physically fatiguing, took a long
time to learn and involved a mastery of forms and volumes which was difficult
to impart, today these drawbacks have been considerably diminished by the
influence of advanced technologies.
To make optimum use of these technologies, we have incorporated in
them the experience acquired over the years. Through the use of certain
algorithms, computerisation assumes the form of knowledge engineering.
Robotics enable us to automate the physically demanding work. Our CAD/CAM
system mills ready-to-fit wood sockets. By means of digitisation of above
knee sockets we are able to build up a data bank in which we can draw on
past experience and combine it with today 's. In these times of working
groups our system makes it possible to share such experience.